Lög Félags íslenskra kórstjóra

LÖG FÉLAGS ÍSLENSKRA KÓRSTJÓRA.

1. gr. NAFN
Nafn félagsins er: Félag íslenskra kórstjóra (skammst. FÍK)
Heimili þess  og varnarþing er í Reykjavík.
2. gr. TILGANGUR
Tilgangur félagsins er að:

·         stuðla að samskiptum og samstarfi kórstjóra

·         stuðla að símenntun og miðla upplýsingum þar að lútandi

·         efla erlend samskipti
3. gr. FÉLAGAR
Félagsmenn geta orðið þeir sem
a) hafa lokið kórstjórnarnámi
b) hafa unnið við kórstjórn í a.m.k. tvö ár
Auka aðild, án atkvæðisréttar, geta þeir fengið sem
c) stunda kórstjórnarnám
d) þeir sem vinna við kórstjórn en uppfylla ekki skilyrði 3.gr b.
Umsóknir um aðild að félaginu skulu berast til stjórnar. Umsóknir eru bornar upp á aðalfundi og teljast samþykktar, greiði meirihluti fundarmanna atkvæði með þeim.

4. gr. AÐALFUNDUR
Aðalfundur fer með æðsta vald í félaginu.
Aðalfundur skal haldinn ár hvert í september.
Aðalfund skal boða í tölvupósti með 2ja vikna fyrirvara.
Í fundarboði  skal koma fram dagskrá fundarins, megin tillögur sem leggja á fyrir fundinn og lagabreytingartillögur ef einhverjar  eru.
Tillaga hlýtur samþykki ef meirihluti fundarmanna greiðir henni atkvæði sitt.
Atkvæðisbærir félagar eru þeir sem greitt hafa árgjöld sín.
Aðalfundur er  lögmætur sé löglega til hans boðað.

Dagskrá aðalfundar:

·         Fundarsetning og samþykkt síðustu fundargerðar aðalfundar.

·         Skýrsla stjórnar.

·         Endurskoðaðir reikningar lagðir fram.

·         Kjör stjórnar og skoðunarmanna reikninga.

·         Lagabreytingar.

·         Ákvörðun árgjalds

·         Inntaka nýrra félaga

·         Önnur mál
5. gr. STJÓRN FÉLAGSINS
Í stjórn félagsins sitja 5 fulltrúar og 2 í varastjórn.
Formaður er kosinn sérstaklega.  Stjórnin skiptir með sér verkum.
Kjörtími stjórnar er tvö ár. Þó skulu úr þeirri stjórn  sem fyrst er kosin, ganga tveir eftir eitt ár, og þrír  eftir tvö ár.
Varastjórn er kosin til eins árs í senn.  Endurkosning stjórnar og varastjórnar er heimil. Stjórn skal halda a.m.k. tvo stjórnarfundi á ári.

6. gr. FJÁRHAGUR
Fjárhagsár félagsins er 1. apríl -31. mars. Fé félagsins skal ávaxtað í bankastofnun.

7. gr. FÉLAGSLÖG
Lögum félagsins má aðeins breyta á aðalfundi.  Tillögur að lagabreytingum skulu sendar með aðalfundarboði.  Lagabreytingar þurfa samþykki 2/3 greiddra atkvæða.

8. gr. FÉLAGSFUNDIR
Stjórnin skal kalla saman fund, ef minnst 5 félagsmenn æskja þess og  tilgreina ástæðu.
Almennur félagsfundur telst lögmætur, hafi til hans verið boðað með tveggja daga fyrirvara.

9. gr. SLIT FÉLAGSINS
Félaginu verður ekki slitið nema 3/4 fulltrúa á aðalfundi  greiði því atkvæði.
Á fundinum yrði tekin ákvörðun  um ráðstöfun skulda og eigna félagsins.

 

Stjórn FÍK

Frá aðalfundi 2011 er stjórn félagsins svo skipuð:

 

 

 

 

 

Formaður: Gróa Hreinsdóttir

 

 

 

 

 

Ritari: Vilberg Viggósson

 

 

 

 

 

Gjaldkeri: Hrafnhildur Blomsterberg

Meðstjórnendur:

Árni Harðarson,

 

 

 

 

Guðmundur Óli Gunnarsson,

 

 

 

 

Guðlaugur Viktorsson og

 

 

 

 

Margrét J. Pálmadóttir.

Heimasíður íslenskra kóra

Blandaðir kórar:

Árnesingakórinn í Reykjavík

 

 

 

 

Brokkkórinn 

 

 

 

 

Háskólakórinn

 

 

 

 

Hljómeyki

 

 

 

 

Íslenski sönghópurinn í Stokkhólmi

 

 

 

 

Íslenski kórinn í Gautaborg

 

 

 

 

Ískórinn í Osló

 

 

 

 

Kammerkór Hafnarfjarðar

 

 

 

 

Kammerkór Mosfellsbæjar

 

 

 

 

Óperukór Hafnarfjarðar

 

 

 

 

Óperukórinn í Reykjavík

 

 

 

 

Skagfirska Söngsveitin

 

 

 

 

Skátakórinn

 

 

 

 

Staka – blandaður kór í Kaupmannahöfn 

 

 

 

 

Söngsveitin Fílharmónía

 

 

 

 

Kvennakórar:

Cantabile

Heklurnar

Íslenski kvennakórinn í Kaupmannahöfn

Jórukórinn Selfossi

Kvennakór Akureyrar

Kvennakór Garðabæjar

Kvennakór Hafnarfjarðar

Kvennakór Hornafjarðar

Kvennakór Ísafjarðar

Kvennakór Kópavogs

Kvennakór Reykjavíkur

Kvennakór Suðurnesja

Kvennakór Öldutúns

Kvennakórinn Embla

Kvennakórinn Ljósbrá

Kyrjukórinn í Þorlákshöfn

Léttsveit Reykjavíkur

Salka – Dalvík

Uppsveitasystur

Vox Feminae

Karlakórar:

Drengjakór Hafnarfjarðar

Karlakór Akureyrar – Geysir

Karlakór Dalvíkur

Karlakór Hreppamanna

Karlakór Keflavíkur

Karlakór Kjalnesinga

Karlakór Kópavogs

Karlakór Rangæinga

Karlakór Reykjavíkur

Karlakór Selfoss

Karlakór Siglufjarðar

Karlakórinn Drífandi

Karlakórinn Ernir

Karlakórinn Fóstbræður

Karlakórinn Heimir

Karlakórinn Hreimur

Karlakórinn Jökull

Karlakórinn Lóuþrælar

Karlakórinn Stefnir

Karlakórinn Söngbræður

Karlakórinn Vestri

Karlakórinn Þrestir

Raddbandafélag Reykjavíkur

Voces Thules

 

 

 

Þjálfun barnaradda

Starf barnakóra skilar árangri . . . eru ekki flestir bestu söngvarar þjóðarinnar uppaldir í barnakórum?

Nokkrir góðir punktar fyrir þjálfun barnaradda:
  • Látið börnin rannsaka þau fjölbreyttu hljóð sem munnurinn og röddin geta framleitt.
  • Hvetjið börn til að syngja í efra registeri.
  • Leikið ykkur með glissando.
  • Hummið lög. Gerið leik úr því að humma lag og láta börn giska á lagið.
  • Blásið! Það þjálfar lungun og þindina. Notið bréfþurrkur eða létta klúta og látið börnin halda þeim á lofti með að blása. Leggið þurrku á mitt borð, tveir keppendur sit hvoru megin við borðið keppa svo um hvor verður á undan að blása þurrkuna útaf borðinu. Blásið í sogrör og það mætti nota þau til að hreyfa við borðtenniskúlu.

 

 

Börn syngja Björk !

Á Staten Island í New York kallast fjölmennasti grunnskólinn “Public School 22″. Í þessum skóla er starfandi kór fimmtubekkinga undir stjórn Gregg Breinberg. Börnin prófuð inn í kórinn, sem æfir tvisvar í viku. Kórinn kemur fram á vegum skólans en hefur einnig gert myndbönd og sett þau á YouTube. í janúar 2012 höfðu myndbönd þeirra fengið yfir 40milljón áhorf.

Kórinn syngur dægurlög allra helstu tónlistarmanna í heiminum, þar á meðal Björk “okkar”. Hér syngja þessi yndislegu börn lagið “Jóga”

Og hérna syngja þau “All is full of love”

Heimasíðan þeirra:

http://www.ps22chorus.blogspot.com/

Voice Training Tips

For people who are blessed with a melodious voice, maintaining and improving it is definitely a huge responsibility. You voice is necessary for communication purposes, and toning it is a good way of maintaining it. You may have an ambition to sing or to offer your voice for other professions, there is always a need to polish it and make it sound audible. When you go for auditions which are related to your voice, you are judged on its quality, sharpness and melody. Your voice has to be clear with noticeable pronunciations. Thus, if you want a good voice, you have to work hard for it, following a few exercises and using certain tips. Some of these helpful voice training tips are mentioned in the following paragraphs for your convenience. So, take a look and make sure you are a regular user of them.

Tips on Voice Training

The first thing you require to start with voice training is determination and will power. It is on the basis of these that you can get yourself to practice your vocal exercises every day. Professional singers and vocalists have regular schedules for voice training, which help them sharpen their vocal features and improve their voice quality. Along with the various voice training techniques that are well known in such professions, there are some voice training tips which can be followed effectively. These tips not only help you strengthen your vocal talents, but are very easy to follow even while doing absolutely nothing! The requirement of having a good voice is not just limited to professions, but you can use it for daily speaking as well. Other than using these techniques and tips for singing lessons they can also be followed for conserving a healthy vocal chord. Thus, take a look at these free voice training tips, which are nothing but helpful!

Listen to Your Own Voice

  • The first tip to improve your voice for singing or speaking is to hear it yourself. When you hear your own voice, you can judge if you have hoarse voice and improve it, by toning it.
  • Thus record your voice and try to find out your own mistakes. If you can’t figure out what’s wrong, you can take help from others so that implementing a required strategy can be helpful.
  • Continue to record your voice at every practice session, so you can judge your improvements. When you do this, you will notice changes as you hear your voice very differently in your head and on the tape. This will also help you improve your voice during conversations with people.
  • Other than simply being critical, this exercise can definitely boost your confidence. After recording your voice, don’t delete those recordings but hear the earlier ones to find out how much you have improved.

Healthy Breathing, A Must

  • Even though breathing is more of a technique than a tip, you can always practice it even while doing other things.
  • According to the breathing exercises suggested for voice training, deep breathing is a very essential exercise. You have to breath from your diaphragm and exhale gradually so that you can control your vocal chord more effectively.
  • Breathing through your diaphragm means taking deep breaths till your stomach is filled with air and then exhale slowly to liberate it.
  • When you practice this exercise at least once every hour, you can surely control your voice modulation. This control gives you the advantage of taming the voice, and becoming proficient in high and low pitching.

Practice Helps!

  • As it is rightly said, practice makes man perfect, keep practicing your vocal exercises and scales every day for a particular period of time.
  • When you practice the scales, you not only make your voice sharper, but also memorize the single notes of music. Practicing these scales in different octaves is a very important activity in voice training.
  • Since scales are only used in singing techniques, this is of the voice training tips exclusively used for singing at high pitches.

With these easy voice training tips mentioned above, you can get the desired fluency and flexibility in your voice in not time. These tips are very easy to follow and don’t require extra effort. So, make the most of them and I am sure you will fetch yourself lots of complements!

 

How To Sing Falsetto

The high pitch voice of operas can break glasses, says the old saying. And the same applies for singing falsetto, although it’s a way different from opera. Falsetto gained prominence during the 1950s. It evolved in the form of capella music, popularly known as ‘doo wop’, much sought after amongst the youngsters. People showed avid interest towards falsetto, forming groups known as ‘doo wop groups’. Similar to that of Southern gospel quartets, their group was composed of lead tenor, first tenor, baritone and bass. The first tenor delivered the extreme high notes while the lead tenor had to perform in a straightforwards way, forming the melodic counterpart. The bass performed the lower notes. Miguel Aceves Mejía, the pioneer of Golden age Mexican cinema, is still revered as the ‘king of falsetto’ and his superb caliber is depicted through more than thousand songs. People who have attended famous operas would well know how difficult it is to bring out the sharp voice from deep down the core of lungs. It needs immense practice to reach the level of perfection. Before going into the techniques on how to sing falsetto, I would like to elaborate a little on falsetto singing.

What is Falsetto

Falsetto is the Italian diminutive of the falso that means false. Technically, it refers to the vocal register that occupies a higher frequency range than modal voice register. The pitch overlaps at approximately every octave produced by ligamentous edge vibration of vocal chords as a whole. In simple language it’s the false voice that a male brings out in the form of a female’s. The sound is usually very high pitched and is entirely different from the baritone voice of a male. The quality of falsetto voice is similar to that of head voice and opera, but is a lot different from the two. Singing falsetto is no doubt difficult, because it has limited dynamics, strength and tones. While singing, you might also come across some subtle problems like breaking of voice, hollow sound of vocal chords or jumping of tones. Thus, switching voice to bring out the falsetto voice is not as easy as it seems to be. Therefore, let’s find out how to sing falsetto.

How to Sing Falsetto

Learning falsetto is not and overnight affair. You can either learn the technical perfection from a professional singer or take up online music lessons to learn falsetto. Vocal exercise books available at the music stores also help a lot. You have to always keep in mind that you are flipping voice and you won’t be performing with your manly voice. It requires a lot of breathing exercises to produce the high pitch voice. Read the following paras to get a clear concept.

Inhale Air
Vocal warm ups are necessary. Breathe as much as possible to inflate the air capacity of your lungs. Deep breathing or diaphragm breathing always helps much more than superficial breathing. Lie down on your back, keep your hands on your abdomen and breathe deeply. This improves your breath holding capacity while going on the higher tones of the yodel. Browse through some more tips on breathing exercises for singing.

Sing on High Pitch
You cannot do this in one shot. You have to gradually proceed to the higher tones while singing. Do not jump on the higher notes at once. Push the air upwards through your tummy to the upper respiratory passage and bring out the sound. Do not force your throat muscles. This technique aids vibration of vocal chords at the right place, transforming it to a falsetto. Your pitch will also increase. Here I would like you to go through our other article on how to sing high notes.

No Vibration on Chest
So how to sing well a falsetto? The air has to travel from your belly to head. The sound will actually vibrate on your head and if this doesn’t happen, then you are still on your own register or model voice. Thus, make every attempt to come out of it. Keep your hands on your chest and make sure it doesn’t vibrate. If your chest vibrates, then you are not singing a falsetto but singing in your own voice. You can also read through some tips on how to yodel.

Practice Versatile Styles
Every music style is different from each other. Once you have become adept with the technicalities, you can try out the varied genres to become a versatile falsetto singer. Experiment with your singing and observe the styles adopted by the famous falsetto singers. You will be amazed to see how versatile the singers are with their voice ranging from tender to sharp. Sing from the end of your vocal chord. Get some tips on how to sing from your diaphragm.

The aforementioned content has presented you the fundamentals on how to sing falsetto. If you are one of them aspiring to become a falsetto singer, do never miss out the performance of Frankie Valli in the song Walk Like a Man.